3 months, 4 weeks ago
fav anime (22 tv items)
"I might have to add Deadman Wonderland...that was a really solid series."
3 months, 4 weeks ago
Top 25 Movies Of All Time (25 movies items)
"Very solid list. The LOTR movies were definitely big events and impressive technical achievements, but I thought the flat characters ultimately ruined them as far as "Best Movies.""
4 months ago
Batman Films - Best to Worst (12 movies items)
"It's interesting how you criticize some of these movies for being ham-handed and cheesy, yet your first pick is the Adam West rendition. I guess that one's OK because the tone is consistently shitty? "
4 months ago
I was looking over this list and realized yeah, I totally wrote it before this movie came out. So I felt obliged to throw it in, just in case anyone was curious. Surprisingly low on the list? Well, as much as I love Batman and what these new creators were trying to do with him, I felt like Rises was mostly a failure. Why? Lots of reasons:
1. Over the course of this Batman reboot trilogy, Batman (y'know, the title character and sole superhero in these stories) gets achingly little screen time kicking butt and generally being a badass. Call me crazy, but that's kind of the reason I tune in. Watch Batman take down bad guys in creative and/or hardcore ways. With all of the emphasis on Bruce Wayne's ninja training, it seems like his physical skills take a back seat to the gadgets. I don't get the clash of styles. Batman is dark and brooding, he has a super scratchy voice, the bad guys are realistic (the Calculator is just some Chinese dude, Scarecrow is even more useless than he is in the comics), yet most of Batman's victories are based around nigh-sci-fi level toys and vehicles. He has a new motorcycle? Fine. It shouldn't have more screen time than the title character. Rises is the biggest offender by bringing out the Batwing, which in this incarnation looks like something out of District 9, and of course the big climactic action scene degrades into a chase sequence that looks like it was made in Michael Bay's back yard with remote control toys.
I may not be able to encapsulate what Batman should be in twenty words or less, but trust me: it ain't that. And yeah, I'm still on #1. So, Batman in this universe gets hurt. A lot. I mean, I get it, there's plenty of mention in the comics about scars, bruises, and Alfred is constantly bugging him to slow down or take a day off, but the point is he doesn't listen to Alfred. He keeps going. He never lets up. That's why he's a super hero! That's why he's inspiring and a little unnerving at the same time. He's obsessive, but he's also that good. In the beginning of Rises, they have him holed up in his house in an entirely unsubtle Howard Hughes nod, limping around and crying about how nobody likes him. Dude...you're the goddamned Batman. Get back to work. It seems like, in an attempt to make Bruce Wayne super-realistic by emphasizing his weakness as a human being, they rendered him nearly impotent and bordering on boring. Just think about how many times this Batman almost died, or was left clutching himself in pain and crying for Alfred, or simply got his ass handed to him. Which brings me to:
2. Bane. Is it really that hard to get him right? When he was introduced in the comics, it was obvious he was intended to be pretty much the ultimate Batman villain. He had brains, he could plan, he was practically unbeatable in a one-on-one brawl, and worst of all, he was gunning straight for Batman.
He acknowledged that Gotham is Batman's town, and the only way to have Gotham is to erase Batman, permanent-like. He did a pretty good job too, at first, but some key ingredients came into play. Those ingredients were Batman's allies. Not the boring ones like in the movies. Who's buying Lucius Fox and Alfred action figures? I'm talking about Nightwing (Dick Grayson, more on him later), Oracle, and among others, a relatively little known character named Azrael. I don't think he was popular among true fanboys, but his arc makes some great points about Bruce Wayne. For those of you who don't know, Azrael's the guy who took over as Batman after Bane broke Bruce's back. In some ways, Azrael was a superior Batman. Let's just say he didn't have a bunch of morality getting in the way of getting the job done. His Batgloves had giant velociraptor claws, and he wasn't shy about using them. The problem is, he was crazy. Like, crazier than Bruce Wayne. He didn't have the character or moral temperance to weather the stress and ambiguity of being the Dark Knight. Despite the ridiculous costume, St. Dumas flashbacks and Jason Bourne-style revelations, his character's arc landed in a territory I found completely realistic: in a word, megalomania. It was his job to keep Gotham safe, so he's gonna do it his way. Bruce trusted him with the mantle; literally gave him the keys to the Batcave. That's a lot of power for one dude. I think a lot of us would have gone the same way. The point is, Bruce Wayne isn't that guy. He isn't just the world's greatest detective, the world's most eligible billionaire, and a super ninja; he has the mental fortitude to do all of that and still stay relatively grounded. It cemented permanently the fact that there is only one Batman, and it isn't necessarily the guy dressed up for Halloween. You see? That's the whole point of Bane! In nearly every way, Bane is Batman's equal. The difference? Batman is the good guy. But besides all that, the filmmakers still managed to screw up Bane. The most important characteristic is his weakness, which is a super ham-handed but effective (narratively speaking) drug addiction. When Bane was all jacked up on Venom, he was unbeatable. Take the Venom away, and he isn't exactly useless, but he kind of might as well be facing off with Batman. The movie decided to completely ignore his dependence on ultra-steroids, presumably for, y'know, realism. Which I would have been fine with, except their version of "realism" seems to have boiled down to arbitrary picking and choosing, making sure to leave room for marketables (see RC vehicles, above). On a related note, Bane's gang of mercenaries in the comics were actual characters. OK, so they weren't mind blowingly creative or distinctive, but they had names and specialties, and more importantly, they had personalities for us to identify and dislike. A totally faithful adaptation of Bane's gang surely would have been super cheesy, but instead of giving them the ole' gritty reboot, they instead trade them in for nameless, faceless mercenaries. More realistic? I guess so. Where did Bane get all of these guys anyway? But really, none of this matters because a lot of Batman villains could have and should have been featured way before Bane.
More interesting, relevant characters like:
3. Talia. Good lord, Talia. The only thing they got right, mythos wise, was that she is indeed Ra's's (I have no idea how to write a possessive for a guy with an apostrophe in his name) daughter. I always enjoyed Talia in the comics. She always added this sort of superspy flavor to Bruce Wayne's life. She was stupid rich, commanded the League of Shadows at her whim, and was murderously possessive of Bruce. There was a great love/hate triangle going on there among Bruce, Talia, and Ra's. She even convinced her dad to spare Batman's life on a couple occasions. In one of my favorite plot developments, Talia doses Bruce with a hearty smattering of hallucinogens, date rapes him in a tent in the desert, and then steals his extremely eligible man juice to create a son.
Yeah, that happened. Damian, the resulting genetically engineered ten year-old ultra-assassin, tracks down Bruce, and eventually becomes the new Robin in the brief time that Dick Grayson takes over as Batman. It's a pretty long and involving story, but admit it, that would have been fathoms more engrossing than what the movie gave us. OK...forget the genetically engineered super son. That might be too broad and sci-fi for this trilogy. There was a legitimate love triangle going on among Batman, Talia, and Catwoman, casting Talia as the jealous old flame (with an army of ninjas), Catwoman as the new budding romance trying to figure out the true nature of the relationship, and Batman, y'know...trying to solve crimes while being surrounded by beautiful femme fatales who either want to screw him or kill him.
I thought this should have been a no-brainer, but instead they take the name "Talia" and make her into an entirely different character who not only rapes the mythos but kind of rapes Batman directly. Why? Bruce Wayne's redemption after Bane kicks his ass (the first time) is escaping a bizarre pit prison in the middle of Turjistan or wherever, an acrobatic and impressive feat...until we learn that Talia did it too. When she was like ten. That whole exile prison idea was confusing and stupid (who's guarding all of those Alien 3 extras in the pit? Are they just late on their taxes or something?), so they go and butcher their own concept with a pirated character who has no relevance to the Batman canon, or even their own story. It seems like they started with an obligation to tie in Batman Begins (since they went ahead and killed Ra's for some reason, and there aren't any Lazarus pits in this gritty, realistic universe) and then worked backwards.
4. Catwoman. I liked Anne Hathaway for the role, but they gave her some of the dumbest dialogue in ALL of the Batman movies. "Cat got your tongue?" C'mon...really? She also played her part in castrating Batman. Not only did she get all the flashy, flippy-kicky fight choreography (Batman's too gritty and grim to do anything visually interesting), she shot Bane in the frickin' face with Batman's own motorcycle cannon, saving Batman's life (again). Even Freud is telling Batman, "you suck, and you have no penis." For a movie called "Dark Knight," the actual unfolding events are almost a smear campaign.
5. "The Dark Knight Rises?" No. Of all the superheroes to make into a Jesus figure, Batman is not the guy. First of all, he's astronomically rich. Like, literally, the guy has a rocket that can take him into orbit. I seem to remember Jesus saying something about camels and eyes of needles. Not only that, Batman lies all the time. Not like, in a bad way. Cops lie all the time too, y'know, to trick the bad guys. I get that he's sacrificing himself for the good of the city or whatever, but I mean...why? And really, in the end it's just a big cop out so he can go drink cappuccino with Anne Hathaway. So he decides to retire for no good reason and leave the cave to a cop he barely knows. Wow, thanks, Superhero. What would we do without you?OK, so it might be setting up Dark Knight Returns, but the creators have already said it's a trilogy, we're done. And speaking of random Robin...
6. Let's just meditate for a moment on Robin. A lot of people have issues with this, implying downright gay pedophilia. What exactly is the point of Robin? Let's see...Dick Grayson witnesses his parents' death at the hands of mobsters. Huh...kind of like what Bruce went through. So Bruce decides to adopt him. As in father and son. It works out that Dick happens to be an extremely talented acrobat, and really tailor-made sidekick material. Over time, Robin softens Batman, humanizing Bruce Wayne. By giving Bruce someone to care about, the audience becomes more grounded to the story. Not to mention, being adopted by Bruce Wayne is wish fulfillment to the Nth degree. A billionaire dad with the best toys who teaches you how to be a ninja and takes you on adventures?
Yeah. So why, I ask you, do you take all of that away; the wish fulfillment, the humanizing of Batman, not to mention a different perspective to bounce around the story; and replace it with Joseph Gordon-Levitt (who, while normally stellar, is barely awake in this movie), some random cop, in a half-assed story thread that never really pays off?
Sadly, I could go on, but this is already longer than it should be. Basically, this close out to the trilogy had a lot of potential, but almost none of it paid off.
4 months, 1 week ago
All right, look...on the face of things, this could be considered a pretty perverted show. Dokuro is an angel from the future sent to kill Sakura because he eventually is responsible for genetically engineering all women to look 12 years old. Yeah, you can read that again if you want. Of course, Dokuro-chan falls in love with the guy instead, and hilarious chaos ensues. In my opinion, this show obviously satirizes the XXX onii-chan weirdo anime porns you might accidentally stumble across while searching for torrents, but take my word for it, porn Bokusatsu Tenshi Dokuro-Chan is not. Fanservice, maybe a little, but this show is HILARIOUS. This is the only show in my time that I can watch over and over and still laugh out loud. The only real flaw is that it's only twelve episodes long.
2 years, 5 months ago
Deathnote is the heart-warming love story of two asexual geniuses and their ridiculously complicated relationship. Oh, and also there are Death Gods who have notebooks, and every once in a while they get so bored that they throw it down to earth, ripe for a pretty high school boy's picking. I can't tear down this show much...it really is one of the best thought out stories, maybe that I've ever seen in any medium. This is some seriously dense material. There is almost no action, and forget about fanservice, unless your idea of fanservice is a bunch of pretty boys. That isn't easy to pull off in an anime.
2 years, 5 months ago
Morrison's first Batman story, and supposedly the highest selling graphic novel of all time, is an ethereal, existential, and altogether different kind of Batman none the likes we've seen really before or after. It's obviously meant to be a standalone, really more of an Amadeus Arkham story than a Batman story. Still, it's an important work, and intensifies the Batman/Joker relationship.
P.S. - I found a book the other day by Sam Kieth called Arkham Asylum: Madness. It's pretty short, not much happens, but I thought it might be a really cool interlude for Morrison's Serious House on Serious Earth.
2 years, 8 months ago